BE ADVISED: On Thursday, October 17 our museums will participate in a brief earthquake drill. Guests will hear an overhead announcement, but are not required to participate, nor will the building be evacuated. Please plan your visit accordingly or contact us at info@nhm.org or 213.763.DINO if you have any questions or would like to reschedule your visit.

BE ADVISED: On Saturday 10/19, the museum will close at 2 PM in preparation for a large event, with some areas closed to the public starting at noon. Boney Island at NHM will be open to the public at 7PM. Please plan your visit accordingly. For more information or to reschedule your visit, email info@nhm.org or call 213.763.DINO.

A Storied Cape

Experience a little historical movie magic at NHM! A costume from the film, Little Women, is on display in our Becoming Los Angeles exhibition.

Little Women cape on display in BLA

Why has the 1869 novel Little Women endured through generations? It’s probably because each generation projects its own values onto the timeless tale. It has been adapted for film and television more than a dozen times.The 1933 version was made at the height of the Great Depression; seeing a family struggling but full of love and courage resonate with audiences. The 1949 star-studded productions reflected the conspicuous consumption that took off in post-war America. The latest version, in cinemas Christmas Day, seems full of sisterhood in hoop skirts, a modern celebration of women.

Costume from 1949 Little Women

Each film has its own take on the iconic fashion of antebellum life. Visitors can experience that historical movie magic when they see the cape worn by Aunt March, the girls’ wealthy relative from the1949 film, on view in Becoming Los Angeles. The garment feels luxurious in a handsome brown shade and bedazzled braids reminiscent of Civil War military coats. It’s made of fine wool and silk with a magnificent mink collar (expensive fabrics were a rarity in film because props only have to look good on camera).

But the 70-year-old piece was tearing itself apart. Hanging heavy in storage, the weight of the cape tore holes in the shoulders, and many embellishments have been lost to the ages. Thankfully, Marina Gibbons, our handy Assistant Conservator, touched up the costume to make it ready for the limelight. The repairs had to follow strict guidelines; Gibbons couldn’t put any new holes in an artifact, so she sewed into the original stitches to close a ripped seam. She used a few sparkly pieces to replace lost rhinestones. The repairs have to be somewhat obvious, a sort of letter to future conservators to say, “Hey, this is not original.” Each repair becomes a part of the story. Conservation work like this ensures that our collections will endure—just like the beloved novel—through the generations